Review: John Mendels(s)ohn Presents Low-brow Entertainment at High-class Venue

Arts | Theater

buckleyPostcard.jpg A lurid chronicle of John Mendels(s)ohn’s five-week stint editing Chic magazine, one-man show “Wm. Floggin’ Buckley” involves sex, drugs, some Elvis-inspired rock ‘n’ roll and enough crazed management to drive anyone nuts. Mendels(s)ohn begins his show with a manic stream-of-consciousness meditation on career-advice prompts (Do I work well with others? Where do I see myself in five years?), sounding a lot like a panicked recent graduate with a liberal arts degree – or a previously established writer experiencing the downfall of his career. Through a series of events and a series of introductions to specific characters, Mendels(s)ohn winds up with an editing position at Chic, working on an editorial about global warming and spinning a decaying story into a sensational prediction of the next ice age or imminent hellish sauna.

Mendels(s)ohn’s calm, under-rehearsed narrative contrasts sharply with his colorful caricatures of a hamster-like co-worker, British coke-head editor-in-chief, drooling publishing magnate, and wheedling hanger-on trolling for sex (among several others). The caricatures start slow – a redneck joke writer here, an overly exposed model there – and builds to include an office-full of vivid characters interacting and arguing with each other. An unexpected hostage situation involving the whole office marks the climax of both the story and the storytelling. The narrative falls away and Mendels(s)ohn lets the characters take over, resulting in an impressively energetic scene.

The weak point of Mendels(s)ohn’s performance is his hyperbolic narrative. While he never blanked on any lines, the stumbling and lack of surety in his voice coupled with an unhelpful microphone setup on the Restaurant Magnus stage left his colorfully manic snark sounding rehearsed and flat instead of spontaneous and witty. Hopefully this will improve in the next two performances.

I had previously found Mendels(s)ohn’s recent writing to be obnoxiously baroque in its hyperbole and unflattering simile. Watching him perform one of his compositions reinforced my opinion but his narrative is so disrespectfully over-the-top and genuinely entertaining, it’s hard to hang on to any irritation. “Wm. Floggin’ Buckley” brings the acerbic wit to life and Mendels(s)ohn’s storytelling elevates it to the point of entertainment.

John Mendels(s)ohn will be performing “Wm. Floggin’ Buckley” at 10 p.m. tonight, April 29 and again in two weeks on May 6 at Restaurant Magnus (120 E. Wilson Street). Chris Berge will present, with musical accompaniment by Justin Bricco of the Blueheels. “General Public, $10. Students, $12.” Call 258-8787 for reservations.

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Mendel(s)ohn is an old perv

I saw the show and was not impressed. Let me put it to you this way, the only 60 year old creepy looking dude I want repeating the word "labia" over and over again in a pale attempt at shock value is my doctor.

This guy was trying way too hard to shock the crowd of less than 20 people and his silly costume and occasionally forgetting his lines only made it seem more like a sad old guy blabbering on about a time a short period in his past where he worked for a porn magazine.

For a guy so in love with himself and his life, he sure failed to provide any interesting or edgy details about his life.

This guy is a total tool and his writing and this performance only proves it.

Let us Not be So Harsh

I saw it last week. I thought it was perfectly fine except for the mic issues. There were some flubbed lines here and there, but I chalked that up to performance rust. I thought the stories were worthwhile, the narrative was coherent, and (I'm a comic myself, so) I was actually very impressed with his act outs. Jumping into characters like that is hard to do.

The repeated use of the imagery of the pictures of labia was useful to remind us of what an altered reality he'd gotten himself into. Labia isn't a particularly shocking word.

As for the costume, John and I agree that people on stage should try and look the part. If I saw the guy wearing a marching band jacket offstage, I might think it odd. It worked within the context of the notion that there were people that were paying money to see him perform. A little spiff in the costume department goes a long way toward making a person believe John a worthwhile performer.

I doubt he is a total tool, but I couldn't say either way. It is probably easy to be harsh on the guy since he does produce some savage criticisms, but you shouldn't let that come into play.

Nick Mortensen
http://www.nickmortensen.com

We have a minor difference

We have a minor difference of opinion, I would say, regarding the fact he has a reputation as a vicious critic and now find himself to be the author of a subpar performance, I believe the phrase is, "Sauce for the goose is sauce for the gander." Or it could be, "Now the shoe is on the other foot." Perhaps it would even be appropriate to say that, in light of his recent complaints of foul language by other comedians John has been, "hoist by his own petard." Then there is my personal favorite, "Hypocrisy ain't just a river in Egypt.

Perhaps he would have done well to rehearse his show infront of a less judgmental audience, at the Klinic Open Mic, let's say. I hear that they enjoy swearing and self-aggrandizing asides there, amidst their flubbed lines and out-dated pop culture references, so he would probably find himself to be a perfect fit, except that, for all their character faults, I have not found any of the Klinic comedians to be liars.*

*When you evaluate a show, and you did not watch the entire show, your article needs to state as such, lest people get the wrong impression. A half-truth, when it is portrayed to be the whole truth, amounts to a lie.

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