Pipefitters urinates on Calvin, Hobbes, and Nick's dead grandmother

pipefittersfakecalvin107007.jpgIn 1988 I was 11 and I had my first newspaper route. I worked for the Green Bay Press-Gazette. Every day I would come home from school, unbundle the newspapers and put them in my newspaper bag. I'd then remove the copy that was for my parents, open it to the Life section and immediately read the day's adventure from Calvin and Hobbes.

Calvin was a precocious 6 year old with an inability to relate to the world around him. Instead, he observed the world and discussed it with his better nature, embodied by his stuffed animal tiger named Hobbes. Where Calvin mocked and bemoaned the hypocrisy of the world around him, Hobbes quietly accepted it. Calvin railed against what he saw as the worse side of human nature and Hobbes hoped that the better part of human nature would somehow rise up to solve the issues of the day. In an exact reversal of their namesakes, Calvin saw the world as nasty and brutish, while Hobbes accepted it all as predetermined and did his best to ensure that Calvin appreciated the everyday beauty of the world around him. The cartoon was funny and sweet and never vulgar and it appealed to everyone who ever had a heart.

It was not rare in my world to visit my grandparents and see a day's Calvin and Hobbes strip held up to the refrigerator with a magnet. What was rare was to see the same strip on the refrigerator on consecutive visits. Calvin, Hobbes, and their creator, Bill Watterson, just hit it on the head far too often. Every single strip was another gem: all killer, no filler.

My grandmother once told me she liked Calvin so much because he reminded her of me. She said when I was 5 and 6 years old I had a hard time relating well to other children and she was often mildly disturbed that I seemed to be talking to her like an adult instead of a child. Calvin and I shared a number of qualities and she sometimes wondered whether I might not have a stuffed tiger somewhere to go on adventures with and to keep me from feeling lonely. At 11, I didn't see much of myself in Calvin, but it was a comparison I was happy to have been a part of. I liked Calvin too. I wished I could be more like him. I actually still do.

1988 was the first year I ever had any money in my pockets around the holidays and I knew what to get my grandmother that year for Christmas. I was going to find her a stuffed Hobbes. A part of me hoped she'd let me have it back. I knew that it would be the absolute perfect gift for her.

I looked all over Green Bay for a stuffed Hobbes that Christmas, but there weren't any to be found. I finally gave up and bought her a stuffed tiger that looked nothing like Hobbes at all. I hoped that, like Calvin, she'd be able to use her imagination to embody that lifeless and fairly nondescript stuffed tiger with the qualities that Hobbes possessed.

It always sort of blew my mind that there was no Hobbes at any toy or department store in the greater Green Bay area during the Christmas season of 1988. I couldn't imagine that there was any lack of demand for a stuffed Hobbes. You couldn't swing a dead cat (all puns always intended) without hitting a Garfield toy. Perhaps I'd started my shopping too late and the stores had sold out of stuffed Hobbes tigers.

I came to find out a few years later that there were no stuffed Hobbeses to be had at all. Period. Bill Watterson owned the rights to his creations and he wasn't going to let Calvin or Hobbes be cheapened by appearing on mugs, toys, calendars, or t-shirts. It was simply out of the question for him. Word was that Steven Spielberg had called Bill Watterson one day about the prospect of producing a Calvin and Hobbes movie and Watterson had refused to take the call, insisting that his wife tell Spielberg that he simply wasn't interested in any way.

This decision cost Watterson an estimated 75 million dollars. Bill Watterson, in effect, was willing to pay $75 million dollars (probably more by now) to ensure that there would be no stuffed Hobbes tiger as a Christmas gift for my grandma. Does that seem staggering to you?

Watterson has not ever really spoken about why, except in this speech. Below is an excerpt that speaks to Watterson's rationale.

Quote:
"Some very good strips have been cheapened by licensing. Licensed products, of course, are incapable of capturing the subtleties of the original strip, and the merchandise can alter the public perception of the strip, especially when the merchandise is aimed at a younger audience than the strip is. The deeper concerns of some strips are ignored or condensed to fit the simple gag requirements of mugs and T-shirts. In addition, no one cartoonist has the time to write and draw a daily strip and do all the work of a licensing program. Inevitably, extra assistants and business people are required, and having so many cooks in the kitchen usually encourages a blandness to suit all tastes. Strips that once had integrity and heart become simply cute as the business moguls cash in. Once a lot of money and jobs are riding on the status quo, it gets harder to push the experiments and new directions that keep a strip vital. Characters lose their believability as they start endorsing major companies and lend their faces to bedsheets and boxer shorts. The appealing innocence and sincerity of cartoon characters is corrupted when they use those qualities to peddle products. One starts to question whether characters say things because they mean it or because their sentiments sell T-shirts and greeting cards. Licensing has made some cartoonists extremely wealthy, but at a considerable loss to the precious little world they created. I don't buy the argument that licensing can go at full throttle without affecting the strip. Licensing has become a monster. Cartoonists have not been very good at recognizing it, and the syndicates don't care."

Bill Watterson never sold the rights to Calvin and Hobbes because he wanted to disappoint my grandmother. He passed on all that money because his integrity wouldn't allow him to cheapen Calvin and Hobbes.

This is something I've known and respected for years. When I ran up against the clubs and was thinking about just bypassing them altogether I thought a lot about Bill Watterson. I've always admired how he didn't play ball when they tried to force him to. I've always been influenced by his thinking that there is no such thing as high art or low art only art. Watterson, more than anyone else, has allowed me to begin thinking of myself as an artist. Your art is what it is that you uniquely have to give to the world. He gave us Calvin and Hobbes. I give the world my personality and a few subtle yet clever racist jokes. We are both able to make strangers laugh and think. Neither is better than the other. He reached more people, but my day hasn't arrived yet. When my day does come, I hope I'll be able to view things as clearly as Bill Watterson was able to.

I'm writing this because I was in a head shop called Pipefitters in Madison on State Street this weekend and I saw a Calvin and Hobbes T-shirt for sale. I would've loved to have purchased it, but I knew I couldn't. Whoever made these t-shirts didn't license them, so Pipefitters is in violation of copyright law by selling them and I hope this blog helps explain why what they are doing is so awful. I sure hope they get in a lot of trouble, too. They've been making money by doing the wrong thing for an awfully long time.

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C&H.

Bill Watterson was a true artist. Calvin & Hobbes still holds up to this day; without question, the most beautiful, insightful and downright hilarious comic strip ever written. Buy the Complete Collection if you don’t already have all of the original compilations.

This essay rings true with me, because I also think of Watterson when I make creative decisions. I say no to ad space and potential revenue, for fear that readers will feel like my voice is no longer unfiltered. Every time I see a decal of Calvin pissing on a Ford logo or kneeling next to a cross, it almost feels as if I'm watching a friend getting humiliated in public. It's shameful, embarrassing and personally infuriating.

In all honesty, Watterson is living my dream. He did everything his way, and now he’s done, leaving an amazing (albiet mysterious) legacy and nothing but positive memories. You can’t ask for much more than that.

Excellent essay. I've been

Excellent essay. I've been a big fan of Calvin and Hobbes for years and I remember thinking the same things about the merchandising when I was too young to understand. I read that speech of his a few years ago and it made me realize how thankful I was to Bill Watterson for what he's done. He created one of the most amazingly insightful comics of our generation and then kept it safe. He taught me more about integrity than I feel worthy to know about. When the big compilation of every C&H strip came out, I bought it right away.

He also had some very good thoughts on the state of comic in newspapers today: they sell a lot of papers, but their allotted space gets smaller and smaller. Only comics with a lot of weight to throw around, like Doonesbury, can demand more space and get it. Hopefully the web and maybe someday sites like this can change that.

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